Earlier this month, Cisco’s cannily constructed marketing phraseology ignited a fire in my corner of the Internet. Dozens of friends and loved ones linked to “Cisco wires ‘city in a box’ for fast-growing Asia.”

photo credit: ricardodiaz11

Everything about the marketing of New Songdo City feels like a crazy Paleo-Future-esque throwback to the 1950s with updated stock photography. Gale International’s Google search result tagline is, no joke, “Building Tomorrow’s Communities Today”.

The very idea of a city in a box seems to have been ported whole cloth from an era of TV dinners, robot helpers, inflatable furniture, and convenience at the touch of a button. It denies a need for contextual development, or responses to local conditions. This is the machines for living and the mass manufactured utopian nightmare that we are meant to have left behind.

The city itself is explicitly a generic anyplace.

Songdo IBD boasts the wide boulevards of Paris, a 100-acre Central Park reminiscent of New York City, a system of pocket parks similar to those in Savannah, a modern canal system inspired by Venice and convention center architecture redolent of the famed Sydney Opera House.

Songdo IBD A Master Plan Inspired by the World

It feels like the only place that isn’t mentioned is the country that the city will call home – South Korea.

It’s a project reminiscent of EA’s Spore, a game which culminates in you choosing a ‘civilization architecture’ and then then flying around the universe launching seed colonies that all grow up to look the same (local conditions are only respected in that if you build the city underwater or in a poisonous atmosphere, a dome covers the works).

It’s the architecture of glossy globalism, the glittering light side of Baudrillard’s patio. It’s the consistent dream of every major franchise and perfectly appropriate to the bland abstracted face of international business. It’s BLDGBLOG’s Thirteeth Room re-conceived on a massive scale.

You can picture a William Gibson or Douglas Coupland novel; the overstressed, underslept protagonist proceeds in a haze from city to city, complaining about how all airports and hotels look the same only to find themselves in an entire city that looks the same. Have they gone mad? They’ve never been here before, they’re certain of this. But they have been. They know every street corner, every by-way. They can direct the cab driver better than the GPS.

photo credit: lostmodern.net

What about a globe-hopping sci-fi detective novel? A case sends our hero across borders. He’s ostensibly on unfamiliar ground but he knows where the dive bar where someone very much like his regular contact will be. He can find the right chop shops and has a pretty good idea of where the dealers will be, which neighbourhood will have the right kind of corrupt cops.

The effect, useful at first, becomes maddening. Identity begins to shift and blur. He knows passwords for underworld watering holes he’s never been to. He can’t remember if the dame he’s seeing now is the same as one who hired him in the first place.

In an airport lobby, he meets someone very like himself who claims he’s investigating a crime with details that eerily match our hero’s. Is it the work of a serial killer? A copycat? They pool resources.

His GPS starts going on the fritz, and it keeps showing him in different countries. He gets into scrapes, he’s beaten to unconsciousness and when he wakes up he’s not sure what continent he’s on anymore. He stumbles through the tourist district asking if anyone can tell him. No one seems to know or care.

In a hotel he’s sure he’s been to before with staff who don’t recognize him, he confronts his partner. Who is he anyway? How does he know so much about the murders? A strange coincidence that they should just meet. His partner shows him a newspaper, another murder in another city, very much like theirs but ten years before. The first city, the pilot program. It was all hushed up.

Toronto’s G20 artificial lake brings cottage country ambiance to a media pavilion in a militarized security zone in Canada’s largest city.

Sorry, I shouldn’t call it a lake and certainly not the #fakelake. It’s a reflecting pool.

photo credit: joesflickr

The pool will be decked out with a dock, Ontario cottage country’s signature Muskoka chair, canoes, and the recorded sound of calling loons. In the background, a 10-meter screen will show a video loop of cottage fun. According to spokesperson for Muskoka tourism, Michael Lawley, the goal is “to recreate a dock experience” for the thousands of journalists who will be in town to cover the G8 and G20 event. “We’re trying to make a memorable impression,” he said. Indeed.

It’s difficult to read about the plans for the pavilion without asking a lot of impertinent questions about whether the loons will be audible over the press conferences, whether there will be enough chairs for everyone, and what, exactly, is Muskoka tourism’s idea of cottage fun. Will they play beer commercials? Canada’s opposition parties are having a grand old time attacking the project. How could they not? It’s such an obviously terrible idea that from the outside, it’s very difficult to understand how anyone could approve the thing.

There’s a kind of mad evolutionary logic at play. Canada is hosting the G20 and G8 summits back to back and the original plan had them both happening in the Industry Minister’s home riding in a town called Huntsville (pop. 18,000). This explains how Muskoka tourism got involved.

When it became clear that the town couldn’t actually handle the thousands of dignitaries, journalists, security, and protestors, the G20 got moved to Toronto. Only 200 of the thousands of journalists will be permitted to attend the G8. The rest will have to monitor it from afar. You can imagine the frustration, the angry phone calls, and then the master of compromise who suggests, “What if we bring the Muskokas to them?”

photo credit: isafrancesca

Meanwhile, the second insane evolutionary process plays out as the weekend of meetings is encased in a protective shell, the design of which has been refined and re-refined since the embarrassing 1999 Seattle protests.

True to the spirit of globalization, the system of fences, security, and protest is nearly indistinguishable from event to event and place to place. Subtopia talks about it as a travelling stage show but it’s much weirder than that.

In a travelling stage show, the same cast puts on a performance in different venues. But almost none of the players in these events are the same. Protestors and security forces are largely drawn from the local populace. Even the special guest-starring international cast of civil servants, world leaders, and journalists rotate constantly, subjected as they are to the ravages of promotion, demotion, cabinet shuffles, and failed re-election.

This isn’t a travelling show, this is theatre companies mounting the same production all over the globe. When it comes to the performance at the fence, the one thing that remains constant is the set decoration and costume design. The same 12′ steel sheet with concrete feet snaking around the city. The same black hoodies and face bandanas. The same riot shields and batons. The same tear gas and smoke and pepper spray.

Managers at Starbucks and McDonalds would kill for a global brand this consistently implemented.

photo credit: Ducklover Bonnie

Here’s City of Sound talking about the APEC fence in 2007.

I overhear people talking of going to actually see The Fence, as if it were a new temporary attraction, and when I visited on Wednesday, many Sydneysiders were just hanging out in the “sniper-ridden ring of steel”, watching the whole circus. News sites are full of it, and Sydney has been radically altered for a few days. There is plenty to see.

City of Sound The Anti-Fun Palace

Notice that only the name of the city distinguishes it from BlogTO heading out to gawk at our instantiation.

There’s been much made of the recent start of construction on the G20 security fence in Toronto. But, lacking a good conception of its size and breadth, I decided to mosey on down to the area around the Metro Toronto Convention Centre to see what I could find out about this thing. As it turns out, I got a pretty good idea for how intense the police and security presence will be.

BlogTO Toronto’s G20 fence in photos.

In fact you could (and should) read all of City of Sound’s fantastic post about the APEC 2007 fence and apply it to the one in Toronto. (Seriously, I cannot recommend the post highly enough.)

These are mimetic structures. Their design is transmitted all over the globe, reproduced via security conferences, marketing materials, anarchist forums, and planning committees. From the perspective of the city it’s a weird malignant parasite that arrives, takes over, completes its terrible purpose, and then neatly self-disassembles.

In the midst of all this, our main university is closed, our baseball team is playing its home games in another city, our streets are ringed with steel and police and snipers, our windows are boarded up, and our most recognizable landmark has been shut down. When the city is least like itself, conference organizers hope to showcase it to the world.

So they release bland stock footage for newscasters. They make models of our famous landmarks. And they build simulacra of the cottage country where the conference should have happened, if all had gone according to plan.

photo credit: shooteng

Mammoth blog has published the guest post I wrote for them as part of the Mammoth Book Club. It’s about traffic jams, freedom, and, yes, cyborgs.

The chapter they asked me to write about contains one of the most striking passages I’ve read all year. It goes like this:

Over time, the traffic cop was slowly transformed: his hands took on white gloves for visibility; his voice was replaced by a whistle; and eventually, he was elevated in a tower and communicated with the traffic via signs or coloured lights. The police officer slowly vanished, his body evolving into mechanical and electrical devices. His hands were replaced by standardized, colored signals. His eyes were replaced by sensing actuators, such as microphones, pressure sensors, electromagnets, or video cameras. All that was left was to replace his brain.

Sean Dockray, Fiona Whitton, Steven Rowell – Blocking All Lanes – The Infrastructural City p.106

If that doesn’t give you chills, then perhaps you are reading the wrong website?

The full post is here.

Two other things

First, it didn’t fit into the essay, but I want to build on one of the side notes. I have a minor fascination with city-driving car ads aimed at 20somethings. You know the kind: they are living life’s ups and downs, they are going to parties, there is never any traffic. In particular, I love this Scion ad that wants you to associate parkour with owning a car. The essay flowed away from examining this in more detail, but one of the most interesting things about cars is the interaction between their mythology of freedom and reality of tightly regimented movement.

I’m not just thinking about the stop and go signals of downtown gridlock (though the completely obvious contrast between the far ranging movements of Scion’s free runners and the constrained-to-the-road path of the vehicles is perfectly pertinent). I’m talking about the massive architectural network devoted to creating an environment where cars can roam.

For freedom machines, our vehicles are extremely sensitive. They like surfaces of a certain smoothness and within a range of grades. They hate a great variety of weather conditions. They can’t go far at all without needing to refuel. From a wider perspective, the freedom of the car compared to the herded imprisonment of public transit, airplanes, or rail seems pretty marginal. It’s all one dimensional ribbons of connectivity strung across a vast two dimensional plane.

I’ve talked about this theme in the past, the invisible infrastructure of cyborgs.

Second, I would be completely remiss if I didn’t thank August C. Bourré for pointing me to a number of excellent papers relating to this stuff. The final third of the essay was completely reworked based on material he sent my way.

Go read the guest post.

Project Proposal

A courtyard is equipped with plant beds, planters and all sorts of spaces for greenery. It is also wired with automated systems for maintaining and changing the environment and a variety of sensors that can detect both the health of the plants and the presence of people.

This is all tied together in a robotic gardening system that both tracks which plant beds people stop near and cares for them based on the attention given. The ugly plants are allowed to die, to then be replaced by other plants. Over time, a semi-darwinian process results in the most evenly pleasing garden.

These allows for an objective community-driven decision making system that ensures that everyone has a vote and that the stakeholders who use the garden most get the most say in the final layout. It also allows for a crowd-sourced tinkerer-approach to selecting the best plants for a landscape. Lastly, it allows for an garden that shifts contents as time shifts the tastes and character of the users of the space.

Prior Art

• Precision farming
• Robot gardeners
• Talking to your plants
• Natural deselection
• Botanicalls

I’ve had a couple of great conversations today deriving from the BBC’s sensationalist First human ‘infected with computer virus’ headline.

photo credit: tozzer

Tabloid Science

Why do I say sensationalist? Adam Rothstein of the Interdome explains it best.

William Gibson used the term “Tabloid Science” the other day on Twitter, and this couldn’t be a better example (unless it also threatened to increase global warming, discover aliens, and involved robots becoming self-aware).

This story is, as I understand it, about a guy who figured out how to transmit a computer virus using RFID. And yet, we have this all-star headline, reposted everywhere from the BBC to Slashdot. It’s reminiscent of the back pages of popular science magazines (“enslave ants to grow all your woman-attractive pheromones, now only $2.99!”) except this is now science reporting, on the Internet: a domain supposedly rational and free of all that “headline” crap.

Adam Rothstein, private correspondence

From the perspective of the systems being compromised, there is no difference between an RFID attacker that’s moving around the world inside someone’s skin or on top of it. There’s no benefit to doing the implant part of the procedure except that it gets you headlines. Which, I guess, is a pretty big benefit.

There’s something hilariously hair-splitting about how a variation in placement of just a few millimeters – fundamentally cosmetic – makes all the difference in coverage. Malware RFID has been around for years. Here’s the BBC covering it in 2006.

We might be better off conceiving of Dr Gasson’s move as a sort of performance art intervention in the mediasphere.

Under my skin

The tone of coverage speaks directly to the conception of the self. Because the chip is under his skin, the BBC calls it a human infected with a computer virus (though couched in scare quotes) rather than a human wearing a device infected with a computer virus. Slashdot goes further.

Why? I have a much deeper and more integrated relationship with my smartphone than Gasson has with a chip that stays in his body for a few days. It’s like saying that someone with cheap earrings is the first human to rust.

Indeed, the chip as worn by Gasson is substantially less useful than if he’d just stuffed it in his pocket (aside from the “getting media coverage” utility, which we must not dismiss). For one thing, the one in his pocket can be thrown down the sewer when security notices him.

It reminds me of the perennial prediction that cellphone implants are imminent. No they aren’t. Cellphone contracts last 2-3 years and new phones come out even more frequently. Say what you will about the stuff that’s carried on you instead of in you, but at least it’s modular.

For it to be worth accepting implants, they have to offer significant benefits that carry-able items don’t. Medical prosthetics are one obvious category of this kind of thing (though even most of these are things that you wear). Devices or interfaces that give you new senses might be another.

Kevin Warwick’s Project Cyborg 2.0 is relevant here. Implants connected to his nerves allowed him to control a robot arm remotely and to exchange sensations with his wife wirelessly through a rig she also had implanted.

Further intervention

Moving away from hard realities of the current achievement, let’s take for granted for a moment that there will be abilities and senses worth having surgery for. Let’s allow for people with networked nervous systems, reaching far out beyond themselves to a whole host of new conveniences for the modern consumer. I’m thinking about flexible ego boundaries and an artist who replicates Marina Abramović’s Rhythm 0, 1974 for the cyborg era.

In Rhythm 0, 2014 (2024?) the artist turns off her firewalls and publishes her personal IP and secret key. She is almost immediately compromised by the sea of ambient malware that’s just part of the background Internet. The participant/audience of the performance swoop in and begin a battle to take over and clean her system, while others attempt to reroute it for themselves.

The artist’s body goes haywire. She sometimes shouts the names of consumer pharmaceuticals along with other gibberish. She begins to develop a fever as all of her microcontrollers run at full tilt, generating dangerous amounts of heat. After an hour, her assistant intervenes. Her firmware must be wiped and restored. A great debate erupts in the art world about whether this is a success or a failure of the piece.

The debate is part of the performance.

I leave you with these words from Simon Bostock who pointed me to the BBC article in the first place.

I’m pretty sure the best depiction of flexible ego boundaries I’ve read is Vernor Vinge’s A Deepness in the Sky, which, if you can get over the fact it’s a space opera about pirates using enforced-autism as a method of slavery and a war between a race of giant spiders, shows how we’ll probably accrete layers of tech and cyborg accoutrements until we all become reefs.

If we’re going to manage our future selves we’ll all have to get a grasp on what topology means.

Simon Bostock, private correpondence